Air Boxing in Brooklyn

 -- By Tom Phillips 

Photo: Lisabel Leon 

No one who has seen a championship boxing match, and watched the fighters fall into each others' arms at the final bell, can doubt the emotional power and depth of boxing.  No sport offers a better metaphor for life, in all its glory and humiliation.  

Shadowboxing is something else.  It's punching the air, the only target being an image of yourself.  In boxing, it's an essential training exercise.  As a metaphor for life, it runs the risk of self-obsession.  That seems to be case with "Shadowboxing in Blue," an all-female production of music, dance, theater, boxing, and psychology, that will disappoint fans of all five disciplines. 

Viral Spring #17: White Bodies Up Front!

Brooklyn,  6/4/2020

-- By Tom Phillips

Something turned in me over the span of a day last week, maybe because something is turning for America.  

On Thursday morning I opened the New York Times to the most gut-wrenching piece of arts criticism I've ever read. Wesley Morris, a young black man who is the paper's critic-at-large, wrote of  a song that came up on the radio and left him weeping at his kitchen sink. The 1985 song by Patti Labelle is about the end of a long, bad relationship.  If you don't know me by now, she wails, you'll never know me.

Morris's composure broke not over a failed romance but the police murder of George Floyd, and Morris's own feeling that another relationship is ending -- that if we whites still don't get it, after all these years, we never will.  

Here's what he heard in Patti Labelle's lament:    

I heard a woman declaring her value. George Floyd was suspected of having used a counterfeit bill at a corner store, which means his life was worth less than money. I heard her thinking through an ultimatum now being laid down in the streets of this country. You still think we’re monkeys, monsters, beasts, thugs, the living dead, minorities? If you don’t know that a black man, calling for his mother, his dead mother, is so desperate for somebody to hear him that he’s screaming for ghosts — or fears he’s in the process of becoming one; if you don’t know that we, too, can run for leisure and sleep for rest; if you don’t know that this skin is neither your emergency nor an excuse to invent one, that the emergency has tended to be you — by now? — you will never, never, never …

I finished the article shaken.  If black people give up on us -- who were raised to think of them in just these ways, who struggle daily to beat back our pre-conscious ideas, whose very perceptions are still twisted by a racist culture -- what is next?  Is there any hope?