By Tom Phillips
History doesn't repeat itself, as the man said, but it does rhyme. And so Diego Rivera's Depression-era murals of oppression and revolt, first shown at the Museum of Modern Art in 1931, pack a double impact in their return to MOMA now, amid the Great Recession and the Occupy Wall Street movement.
History doesn't repeat itself, as the man said, but it does rhyme. And so Diego Rivera's Depression-era murals of oppression and revolt, first shown at the Museum of Modern Art in 1931, pack a double impact in their return to MOMA now, amid the Great Recession and the Occupy Wall Street movement.
The mural above is called The Uprising, and depicts a clash
between troops and protesters during the Mexican Revolution in the 1920s. But it made me think of – even feel again –
the thud of a student’s body against concrete in Zuccotti
Park last December, when police
tackled him for jumping a barricade. Here
the barricade is a sword, thrust out at the level of the man’s
genitals. A wife protests, a baby
screams. In this crowded scene is all the tension and menace inherent in a
popular uprising – people against power, with weapons drawn and the outcome
unknown.