Showing posts with label Muhammad Ali. Show all posts
Showing posts with label Muhammad Ali. Show all posts

Saturday, August 27, 2016

The Art of the Ego

Donald & Marla, 1990
-- By Tom Phillips 

One night in 1990, my Presbyterian minister wife and I were seated on the couch, watching raptly along with thirty million Americans as Diane Sawyer scored her exclusive interview with the woman of the hour -- Marla Maples, the girlfriend of Donald Trump.  The real estate mogul was leaving his wife Ivana for this foxy anonymous model, and the nation was transfixed.  The tale was taking on biblical proportions, like David and Bathsheba.

Suddenly I sat up.  What the hell were we doing?  Neither of us cared a fig for moguls or models.  How had this semi-scandalous affair become a national obsession?  How had it sucked us in? 

Well, it wasn't her.  Marla soon faded back into anonymity, just another ex-wife.  But the Donald never went away.  I can't stand him, never want to be in the same room with him, cringe with terror at the thought of his becoming president.  But like millions of hapless onlookers, I still can't take my eyeballs off him.  What is going on?

Monday, June 6, 2016

Muhammad and Merce

--   By Tom Phillips
Mmmm-aa
Muhammad Ali, 1942-2016
If Muhammad Ali was the greatest boxer of all time, it wasn't because he could punch the hardest. For Ali, the best offense was a good defense -- and the key was his dancing.

The "Ali Shuffle" was his signature step, and it set him apart from any other heavyweight.  He danced with both feet in the air, hovering, shuffling, so you never knew which foot he would land on, or where he would go. The feet were like a hummingbird's wings, a blur. Meanwhile the hands accompanied the dance, mixing jabs, hooks, and right-hand leads with innumerable fakes. At the top, Ali invented the bobblehead, flicking his neck backward and sideways to avoid his opponent’s fists.


He was his own dance master, making up strategy in the ring, in the moment. If he could be compared to a choreographer, it would be Merce Cunningham, who understood the uses of chance. Not even Merce knew how the music would work with the dance, until it happened on the stage. Not even Ali knew where he was going next, until it happened in the ring.