Showing posts with label Tatsumi Hijikata. Show all posts
Showing posts with label Tatsumi Hijikata. Show all posts

Wednesday, January 11, 2023

Vangeline's Story

 -- By Tom Phillips 

"The Slowest Wave"  Photo by Michael Blase 

Butoh began in the ruins of post-war Japan as the "dance of utter darkness."  Today it is performed and taught all over the world, and increasingly influential in other techniques and styles. 

No one is more responsible for this than Vangeline, founder and director of the New York Butoh Institute, which marks its 20th anniversary in 2023. After many years on the margins of the dance world, this year she is flooded in fellowships – including a grant from the National Endowment for the Arts to study the brain waves of Butoh dancers.     

Vangeline was born in 1970 in France, and came to New York in 1992. She told us her life story recently while sitting and stretching on the floor of her dance studio, near the banks of the Gowanus Canal in Brooklyn.

TP:  What was your reason for coming to New York at age 22?   

Vangeline:  I came to do an internship at the UN — a diplomatic visa, all the doors were open, red carpet.  Then two months into it I decided to quit and just become a dancer, to my parents’ great chagrin!  I lost my visa, I lost my status, and I became an underground performer.  So that was my switch, my commitment, my landing into New York and saying No – this is the life I’m going to lead.  And I followed my path kind of stubbornly ever since.   

Sunday, October 27, 2019

Butoh a la Vangeline

"Hijikata Mon Amour"
Vangeline
NY Butoh Institute Festival 2019
Theater for the New City, New York
October 26, 2019

-- By Tom Phillips
                                               

Japan and France have long been yoked together by their mutual obsession with each others' elegant style. The US and Japan are connected forever by the atom bomb. "Hijikata Mon Amour" is a Triboro bridge connecting those three cultures, and -- in the subversive, twisted way of Butoh -- an attack on all of them.
                                         
                                                 Photo by Matthew Placek